Dear Band Members,
Posted: Fri Apr 21, 2006 2:39 am
Are you, the band, really egotistical enough to think that I and others want to “bring down” the band? Do you really think we, all the “negative” people, would spend this much energy on something we were “beyond”? Obviously the band meant/means a lot to us and it hurts me personally to see the band in the state that it is in. Despite the fact that you all apparently hate me, I don’t want you to fail. I want to prevent what I see coming.
Stop right now. Don’t get defensive. Read what I am actually saying, not what you think I am saying. Stop planning your counter-attack. This isn’t a battle. In the end you are the ones with something to lose, not me.
I went to my first spree show when I was 16 and I’m now 20. My first show was the 2002 Christmas show, long before I knew anyone in the band. I had never even heard of y’all. I walked in, expecting nothing, and it was one of the best nights of my life. In high school I quit the cheerleading squad so that I wouldn’t miss the Granada show which coincided with our Homecoming game. I promoted you to anyone who would listen and gladly helped out in any way I could. I met my boyfriend on your forum. I met half of my friends on that forum, including then-members and “associates”, who I am still friends with because of the kinds of people/artists they are, not because of the status or information they can give me. Don’t dismiss me as a character who “used to know someone in the band” or as a faceless computer nerd. My sincerity is apparent.
Blind support isn’t loyalty, its foolishness. For fans and members alike. Letting your friend drive home drunk is hardly supportive. Letting your favorite band drive off a cliff is no different. Fear is no excuse.
…And yet I still have an outside perspective, something none of you have. So here is what I saw and what I see now.
What made the spree amazing was the purity. Pure emotion, pure energy, and pure intentions. White robes. Raw demo. It was about the music. It was about performing what you felt, positive or negative. It didn’t *have* to be anything. It just was. And it was fucking beautiful.
And this is not just while TBSO was being recorded; it lasted for years.
You say you hate the image the press has laid on you as being eternally happy. Why do you support that image by playing almost entirely upbeat songs? What happened to the slow build? What happened to all the instruments having solos, not just one or two? What happened to the harp? You can’t even hear it anymore. Why do you choreograph all of your actions instead of letting the moment inspire you? What happened to all the songs with melancholy undertones? They have long since vanished from the set list. Days Like This, Lala, Have a Day, Five Years, even The March. I know they are old songs, but so is Soldier Girl and you rarely skip that one.
What made the spree amazing was the collaboration of talented musicians and their freedom to create pure and beautiful music. Members come and go, that’s true. But it is selfish and foolish to dismiss their influence and the role they each played. The music they helped write, which you still play. The recordings they made. The decisions, good and bad, that they contributed to. Auden said it best:
"For the error bred in the bone / Of each woman and each man / Craves what it cannot have / Not universal love / But to be loved alone."
The Polyponic Spre is not Tripping Daisy II. And it’s not the Tim and Julie Show. All the members matter: past, present, and future. And so do the fans. You're not doing yourselves any favors by denying that.
I am telling you now what others have tried to tell you. You wouldn’t listen. You have made enemies of people who wanted nothing but good things for you. You have ignored warning sign after warning sign. But even now it might not be too late if you will just WAKE UP.
Why are you so fucking scared?
Raw emotion is what made your music beautiful, and it rings hollow without it. That darkness gave birth to the spree. There has to be both. Darkness and light. “It takes the sun to make the sidewalk; it takes the moon to burn my feet.” As individuals or as a band, you need both. Yin and yang. You can’t appreciate the happy songs without the sharp contrast of the somber ones. This isn’t kama sutra. Nobody wants an hour-long climax. That’s not reflective of reality or of the lyrics you yourselves sing. Don’t hide behind choreography. Don’t hide behind your image. Don’t hide the honesty of the lyrics with fake smiles. Don’t hide the songs behind overproduction. It has always been about the live show and your albums should reflect that. It should reflect community and tragedy and honesty and purity. And if you disagree, then go ahead and change the album name to Radio Friendly Unit-Shifter. We don’t care if you make money or not. It only becomes a problem when that desire is apparent in the music. Its one thing to put your song on a commercial. It’s another thing to worry solely about whether your album is radio friendly, whether you have a hit, whether the songs are too long or too “weird” or too happy or too sad. Gone is the purity. Commence with the fear.
Don’t rationalize your actions because of decisions other bands are making. Your fans hold you to different standards. Maybe its not fair, but we expect sincerity from you of all bands. If the music has it, everything else is justifiable. It’s because of the music and the live shows that all this is surfacing. I know some of my past comments have been out of line. I should have shown more wisdom, and for that I am sorry. But for your own sake, don’t confuse constructive criticism with personal attacks.
We are saying it IS about the music. Not about the fucking forum. Quit lurking around and reading what we have to say about y’all and make some changes. Obviously its not working. Do something. Change something. WAKE UP.
Just be honest. In all aspects, with yourselves and eachother. It's not too late to become honest, substantial people. Honesty being sincerity and wisdom, not divulsion of secrets.
“Remember like the old, and be honest like children.”
Stop right now. Don’t get defensive. Read what I am actually saying, not what you think I am saying. Stop planning your counter-attack. This isn’t a battle. In the end you are the ones with something to lose, not me.
I went to my first spree show when I was 16 and I’m now 20. My first show was the 2002 Christmas show, long before I knew anyone in the band. I had never even heard of y’all. I walked in, expecting nothing, and it was one of the best nights of my life. In high school I quit the cheerleading squad so that I wouldn’t miss the Granada show which coincided with our Homecoming game. I promoted you to anyone who would listen and gladly helped out in any way I could. I met my boyfriend on your forum. I met half of my friends on that forum, including then-members and “associates”, who I am still friends with because of the kinds of people/artists they are, not because of the status or information they can give me. Don’t dismiss me as a character who “used to know someone in the band” or as a faceless computer nerd. My sincerity is apparent.
Blind support isn’t loyalty, its foolishness. For fans and members alike. Letting your friend drive home drunk is hardly supportive. Letting your favorite band drive off a cliff is no different. Fear is no excuse.
…And yet I still have an outside perspective, something none of you have. So here is what I saw and what I see now.
What made the spree amazing was the purity. Pure emotion, pure energy, and pure intentions. White robes. Raw demo. It was about the music. It was about performing what you felt, positive or negative. It didn’t *have* to be anything. It just was. And it was fucking beautiful.
And this is not just while TBSO was being recorded; it lasted for years.
You say you hate the image the press has laid on you as being eternally happy. Why do you support that image by playing almost entirely upbeat songs? What happened to the slow build? What happened to all the instruments having solos, not just one or two? What happened to the harp? You can’t even hear it anymore. Why do you choreograph all of your actions instead of letting the moment inspire you? What happened to all the songs with melancholy undertones? They have long since vanished from the set list. Days Like This, Lala, Have a Day, Five Years, even The March. I know they are old songs, but so is Soldier Girl and you rarely skip that one.
What made the spree amazing was the collaboration of talented musicians and their freedom to create pure and beautiful music. Members come and go, that’s true. But it is selfish and foolish to dismiss their influence and the role they each played. The music they helped write, which you still play. The recordings they made. The decisions, good and bad, that they contributed to. Auden said it best:
"For the error bred in the bone / Of each woman and each man / Craves what it cannot have / Not universal love / But to be loved alone."
The Polyponic Spre is not Tripping Daisy II. And it’s not the Tim and Julie Show. All the members matter: past, present, and future. And so do the fans. You're not doing yourselves any favors by denying that.
I am telling you now what others have tried to tell you. You wouldn’t listen. You have made enemies of people who wanted nothing but good things for you. You have ignored warning sign after warning sign. But even now it might not be too late if you will just WAKE UP.
Why are you so fucking scared?
Raw emotion is what made your music beautiful, and it rings hollow without it. That darkness gave birth to the spree. There has to be both. Darkness and light. “It takes the sun to make the sidewalk; it takes the moon to burn my feet.” As individuals or as a band, you need both. Yin and yang. You can’t appreciate the happy songs without the sharp contrast of the somber ones. This isn’t kama sutra. Nobody wants an hour-long climax. That’s not reflective of reality or of the lyrics you yourselves sing. Don’t hide behind choreography. Don’t hide behind your image. Don’t hide the honesty of the lyrics with fake smiles. Don’t hide the songs behind overproduction. It has always been about the live show and your albums should reflect that. It should reflect community and tragedy and honesty and purity. And if you disagree, then go ahead and change the album name to Radio Friendly Unit-Shifter. We don’t care if you make money or not. It only becomes a problem when that desire is apparent in the music. Its one thing to put your song on a commercial. It’s another thing to worry solely about whether your album is radio friendly, whether you have a hit, whether the songs are too long or too “weird” or too happy or too sad. Gone is the purity. Commence with the fear.
Don’t rationalize your actions because of decisions other bands are making. Your fans hold you to different standards. Maybe its not fair, but we expect sincerity from you of all bands. If the music has it, everything else is justifiable. It’s because of the music and the live shows that all this is surfacing. I know some of my past comments have been out of line. I should have shown more wisdom, and for that I am sorry. But for your own sake, don’t confuse constructive criticism with personal attacks.
We are saying it IS about the music. Not about the fucking forum. Quit lurking around and reading what we have to say about y’all and make some changes. Obviously its not working. Do something. Change something. WAKE UP.
Just be honest. In all aspects, with yourselves and eachother. It's not too late to become honest, substantial people. Honesty being sincerity and wisdom, not divulsion of secrets.
“Remember like the old, and be honest like children.”